A scene from 'The Wild Robot.' Universal Pictures International 

Roz was the sole survivor after their cargo ship capsized on an uninhabited island. She was a robot programmed to obey and finish the task asked by its owner. She tried talking to the animals living on the island but to no avail. One day, she angered a grizzly bear who began to chase her. She stumbled down the mountain and landed on a nest of geese, breaking all but one egg. When the egg hatched, the gosling thought that Roz was its mother.

This is not the first time that a film, live action or animated, tackled the topic about a mechanical robot with artificial intelligence who gained the ability to feel emotions. Among the titles of animated films that come to mind include: "The Iron Giant" (1999), "Wall-E" (2008) and just last year, "Robot Dreams" (2023). All of these films had gained critical acclaim and a loyal fandom for their innovative and emotionally-sensitive treatment of the subject matter.

The animation style was described to be a cross between classic Disney (particularly "Bambi") and Miyazaki (particularly "My Neighbor Totoro"), and this was quite evident. The color palette was deep and rich. The animal designs were very cute, from the sea otters who turned Roz on first, Fink the fox, mommy Pinktail and her baby opossums, peaking in that Noah's Ark situation with all the wildlife gathered together under one roof during a destructive storm.

The roster of voice talents was stellar, led by Lupita N'yongo as the cool and calming maternal voice of Roz, Kit Connor as the "rebellious teen" voice Brightbill and Pedro Pascal as the cunning fox Fink, Roz's tormentor at first meeting who later turned out to be her closest friend. Other famous names like Catherine O'Hara, Bill Nighy, Mark Hamill, Vhing Rhames and Stephanie Hsu voice the more minor characters.

This latest, and reportedly final, entirely-inhouse film of Dreamworks Animation was written and directed by Chris Sanders based on the 2016-2017 book series of the same title written by Peter Brown. The story may not exactly be completely new, but it had a heartwarming storytelling approach to how Roz developed what seemed to be "maternal instincts" towards Brightbill, and how he eventually recognized and acknowledged this as "love."

This review was originally published in the author's blog, “Fred Said.”